Liquid Type

“Type is something that you can pick up and hold in your hand.” [1]
The statement reflects a way of dealing with type as solid matter: metal blocks with dimen­sion and weight. This in mind, I began a series of anima­tion studies as part of my diploma work on the topic of digital type and what makes it different from the real thing.

SlitScan Clips
slit scanning

Time and Space

To create a copy of an image, a scanner reads the fixed subject line by line in a single pass and constant speed. One could also use a video camera as scanning device by covering the lens, except for a small slit. A video with a length of 500 frames becomes a pic­ture that is made up of 500 lines and the result will de­pend on camera actions like pan, zoom, rotation or the move­ment of the object itself.

Displacement Clips
clips

Color and Space

Displacement Mapping is a technique, to generate geometry by assign­ing a height vector to “flat” image pixels. Bright areas are raised up the most, black pixels are not effected. This is useful to give a surface a more natural look or to generate height maps for landscape models.
The sketches are kind of a misuse by working with extreme displacement set­tings and low-res, animated textures.

Displacement Stills
displaced still 01 displaced still 02 displaced still 03 displaced still 04 displaced still 05 displaced still 06 displaced still 07 displaced still 08 displaced still 09 displaced still 10 displaced still 11 displaced still 12 displaced still 13 displaced still 14 displaced still 15 displaced still 16 displaced still 17 displaced still 18 displaced still 19 displaced still 20 displaced still 21 displaced still 22

[1]
H. Carter, 1969 in:
Malou Verlomme,
“Technological Shifts in
Type Design”

Slit Scan
Artworks & Research

Words of clip 2 from
Roger Penrose, 1994 in:
“Shadows of the Mind”

featured in the book:
Type Image, 2011
by Barbara Brownie